Thursday, May 20, 2010
Interviews with 'Trickster' contributors
Mike Rhode, who writes the ComicsDC blog and the comics column at the Washington City Paper, is running interviews with local Trickster contributors over the next few weeks. He begins with Paul Zdepski.
Sunday, May 16, 2010
'Trickster' signing at Big Planet Comics
Thanks to everyone who came out for the Trickster signing! (An extra special thanks to Kevin, Greg, Jared and the rest of the Big Planet Comics staff for hosting us and for their hospitality.) Below are some pics of the event.
Cartoonists and Trickster artists Jerry Carr (left) and
Mike Short look at some of the original art from the book.
(From left) Trickster artists Evan Keeling and Jacob Warrenfeltz
and Mike Rhode, who writes the comicsDC blog and the comics column
at the Washington City Paper.
(Sitting) Chris Piers and Jacob Warrenfeltz, (standing) Evan
Keeling, Andrew Cohen and Mike Short.
The traffic was steady for most of the two hours, but there were
a few minutes where there seemed to be a concentrated rush.
Trickster contributors (from left, sitting) Chris Piers, Jacob
Warrenfeltz, Evan Keeling, Andrew Cohen (standing, signing),
Rand Arrington and Paul Zdepski. ((Standing in the back in
the green shirt is D.C. Conspiracy member Art Haupt.)
Monday, May 10, 2010
'Trickster' available!
A bunch of contributing artists to Trickster: Native American Tales: A Graphic Collection will be at Big Planet Comics in Vienna, Va., this Sat., May 15, for a signing from 2-4 p.m. In attendance: Matt Dembicki, Andrew Cohen, Evan Keeling, Paul Zdepski, Chris Piers, Jacob Warrenfeltz, Mike Short, Jerry Carr, Rand Arrington and Scott White. We'll also be doing sketches and giving away artist trading cards featuring Trickster critters (see below)! I'll also give a very brief talk about the project. Come by and join the fun!
Friday, May 7, 2010
Starred review from Kirkus
Here's a starred review from Kirkus:
Vigorously rendered in striking graphic format, this robust anthology of 21 Native American folktales features a bevy of wily rascals in a veritable smorgasbord of trickster tales. Told in the words of Native American storytellers from many nations, these tales use the trickster to teach moral lessons and explain such natural events as how the rabbit got its puffy tail, why the buzzard has no feathers on its head, why the owl guards burial sites or why geese fly in a V formation. Relying on cunning and craft to survive, outwit and amuse, the tricksters include coyote, raven, rabbit, raccoon, wolf, beaver and dog as well as human tricksters like Moshup, Ishjinki and Waynaboozhoo. Each tale is illustrated by a different artist in strikingly different styles, some comic and some realistic but all surprisingly suited to their stories, while the graphic sequencing provides action and emotional detail only suggested by the storyteller. Packaged in a chunky, square-shaped volume, this unique collection of Native American folklore invites readers to sample and savor each colorful, wily tale. (editor’s notes, contributors’ bios) (Graphic folklore. 10 & up)
Vigorously rendered in striking graphic format, this robust anthology of 21 Native American folktales features a bevy of wily rascals in a veritable smorgasbord of trickster tales. Told in the words of Native American storytellers from many nations, these tales use the trickster to teach moral lessons and explain such natural events as how the rabbit got its puffy tail, why the buzzard has no feathers on its head, why the owl guards burial sites or why geese fly in a V formation. Relying on cunning and craft to survive, outwit and amuse, the tricksters include coyote, raven, rabbit, raccoon, wolf, beaver and dog as well as human tricksters like Moshup, Ishjinki and Waynaboozhoo. Each tale is illustrated by a different artist in strikingly different styles, some comic and some realistic but all surprisingly suited to their stories, while the graphic sequencing provides action and emotional detail only suggested by the storyteller. Packaged in a chunky, square-shaped volume, this unique collection of Native American folklore invites readers to sample and savor each colorful, wily tale. (editor’s notes, contributors’ bios) (Graphic folklore. 10 & up)
Sunday, May 2, 2010
'Trickster' nominated for YALSA award
Trickster was recently nominated for the Young Adult Library Services Association's 2011 Great Graphic Novels for Teens. (Yes, it's very early, but it's nice to get a nod.)
Wednesday, April 28, 2010
'Trickster' At Cambridge
Trickster contributor Scott White spotted the book at the Harvard Book Store in Boston among some elite graphic novels. (Thanks for the pics, Scott!)
Monday, April 26, 2010
'Trickster' reviews
Reviews from some well-regarded trade publications:
Publishers Weekly (04/26/2010):
These 21 folktales, created by pairing Native storytellers with a variety of artists, feature creatures explaining how things came to be, like islands or stars, or animals playing tricks on one another. Often, the trickster, while trying to take the lazy way, outwits himself, especially when it involves Coyote. In other tales, Raven does whatever people tell him not to do, but ends up with a free meal anyway, and Rabbit tricks some buffalo and wolves and is tricked by Fox into losing his tail. Many of the stories, some of which involve tribespeople as well as animals, are told through captions, as though listening to an elder and envisioning the images he describes. Micah Farritor’s art in "Coyote and the Pebbles" and Dembicki’s in "Azban (Raccoon) and the Crayfish" are standouts in their animal images. The diverse styles are presented in lavish color in this thick, handsome volume. The short collection of contributor bios at the end is a helpful resource for finding more about the artists’ credits or the writers’ heritage.
School Library Journal (May 2010):
(Starred review)
More than 40 storytellers and cartoonists have contributed to this original and provocative compendium of traditional folklore presented in authentic, colorful, and engaging sequential art. The stories are drawn from a variety of Native peoples across North America, and so the trickster character appears variously as Rabbit, a raccoon, Coyote, and in other guises; landscapes, clothing and rhythms of speech and action also vary in keeping with distinct traditions. Realistic, impressionistic, painterly, and cartoon styles of art are employed to echo and announce the tone of each tale and telling style, making this a rich visual treasure as well as cultural trove. Contributors include well-known author Joseph Bruchac, Pueblo storyteller Eldrena Douma, cartoonist and Smithsonian Institution employee Evan Keeling, and many who have not worked in comics heretofore as well as cartoonists with no previous allegiance to telling Native stories with their art. The total package is accessible, entertaining, educational, inspiring, and a must-have for all collections.
Booklist (American Library Association, May 2010):
(Starred review)
This graphic-format collection of Native American tales featuring an old folk favorite—the trickster—hits an impressive trifecta of achievements. First, it’s a wildly successful platform for indie-comic creators and an excellent showcase for their distinctive styles. From David Smith and Jerry Carr's heroic, animation-inspired “Trickster and the Great Chief” to the Looney Toons zaniness of “Rabbit’s Chocktaw Tail Tale” by Tim Tingle and Pat Lewis, there’s a bit of visual panache here for every taste. Second, with the exception of a stray X-Man or two and an obscure DC sword-and-sorcery character, this is the first graphic novel to really focus on Native American themes and events, a surprising absence that this book remedies with respect and imagination. Lastly, as Native American folklore is so directly tied to the culture’s spirituality, this proves the rare graphic novel that handles such issues without specifically attaching them to standard religious practices. With stories that vary in emotional tone, matching the ever-shifting appearance and character of the trickster himself and the lessons he teaches and learns, this collection is an ideal choice for dipping into over and over. A dandy read for those interested in history, folklore, adventure, humor, or the arts, and a unique contribution to the form.
Publishers Weekly (04/26/2010):
These 21 folktales, created by pairing Native storytellers with a variety of artists, feature creatures explaining how things came to be, like islands or stars, or animals playing tricks on one another. Often, the trickster, while trying to take the lazy way, outwits himself, especially when it involves Coyote. In other tales, Raven does whatever people tell him not to do, but ends up with a free meal anyway, and Rabbit tricks some buffalo and wolves and is tricked by Fox into losing his tail. Many of the stories, some of which involve tribespeople as well as animals, are told through captions, as though listening to an elder and envisioning the images he describes. Micah Farritor’s art in "Coyote and the Pebbles" and Dembicki’s in "Azban (Raccoon) and the Crayfish" are standouts in their animal images. The diverse styles are presented in lavish color in this thick, handsome volume. The short collection of contributor bios at the end is a helpful resource for finding more about the artists’ credits or the writers’ heritage.
School Library Journal (May 2010):
(Starred review)
More than 40 storytellers and cartoonists have contributed to this original and provocative compendium of traditional folklore presented in authentic, colorful, and engaging sequential art. The stories are drawn from a variety of Native peoples across North America, and so the trickster character appears variously as Rabbit, a raccoon, Coyote, and in other guises; landscapes, clothing and rhythms of speech and action also vary in keeping with distinct traditions. Realistic, impressionistic, painterly, and cartoon styles of art are employed to echo and announce the tone of each tale and telling style, making this a rich visual treasure as well as cultural trove. Contributors include well-known author Joseph Bruchac, Pueblo storyteller Eldrena Douma, cartoonist and Smithsonian Institution employee Evan Keeling, and many who have not worked in comics heretofore as well as cartoonists with no previous allegiance to telling Native stories with their art. The total package is accessible, entertaining, educational, inspiring, and a must-have for all collections.
Booklist (American Library Association, May 2010):
(Starred review)
This graphic-format collection of Native American tales featuring an old folk favorite—the trickster—hits an impressive trifecta of achievements. First, it’s a wildly successful platform for indie-comic creators and an excellent showcase for their distinctive styles. From David Smith and Jerry Carr's heroic, animation-inspired “Trickster and the Great Chief” to the Looney Toons zaniness of “Rabbit’s Chocktaw Tail Tale” by Tim Tingle and Pat Lewis, there’s a bit of visual panache here for every taste. Second, with the exception of a stray X-Man or two and an obscure DC sword-and-sorcery character, this is the first graphic novel to really focus on Native American themes and events, a surprising absence that this book remedies with respect and imagination. Lastly, as Native American folklore is so directly tied to the culture’s spirituality, this proves the rare graphic novel that handles such issues without specifically attaching them to standard religious practices. With stories that vary in emotional tone, matching the ever-shifting appearance and character of the trickster himself and the lessons he teaches and learns, this collection is an ideal choice for dipping into over and over. A dandy read for those interested in history, folklore, adventure, humor, or the arts, and a unique contribution to the form.
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